VoiceVX·188

Mia Cosco

guest

Research assistant at Harvard working on psychedelic research, specifically how psychedelics can help with grief; hosts grief dinner parties, death salons and death cafes, and is writing a memoir about losing her mother and her psychedelic journey. An old friend of Tamir's; they met in a high-school play.

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  • Mother's message: let me go

    On her first ayahuasca ceremony, Mia felt her mother tell her 'let me go': stop thinking about what I want and live your life. It was hard because she didn't know who she was outside 'the…

  • Calling her partner twenty times

    Mia's relationship is securely attached, but if her partner doesn't say goodbye in his usual way and something feels hidden, she might call him 20 times: 'me going from investigator before…

  • Angry teen chasing rejection

    In high school Mia was furious at her mother for 'giving up' and being 'weak'. Raised by an emotionally shut-down father, she did eight school plays, modeled and went to constant auditions…

  • Borrowing death salons from Brooklyn

    Mia didn't coin 'death salon': she hit it off with a Brooklyn therapist who co-hosts them, gathering strangers to share grief, book excerpts and poetry. Mia has since moved to Boston to…

  • Divorcing couple at grief group

    The quietest attendees shock Mia most. People going through divorce have brought their ex-spouse to discuss it together in the group, with tears, screaming and yelling.

  • Losing her mother at seven

    Mia lost her mother at seven. She doesn't remember her voice, laugh or favorite color and barely knew her, yet still feels a strong, 'spooky' connection to her, which is why she won't tell…

  • Rejected agent pitch for psychedelic memoir

    Many literary agents resist a book about psychedelics. Mia tells every agent she will never stop, so it's up to them whether to represent her, echoing Paulo Coelho's persistence.

  • Called a black cat

    Before about 2019, people close to Mia called her defensive and on guard, and a 'black cat'; she hugged in a distant, cold way. She worked deliberately to become the open, safe person…

  • Childhood control as coping

    From seven to about thirteen, Mia coped with her mother's death by becoming 'incredibly OCD', planning every minute and acting as 'the woman of the house' and master of her domain. Later…

  • Mother's clothes left for ten years

    Mia's family left her mother's clothes hanging untouched in the closet for at least ten years: 'a physical depiction of grief', honoring her despite knowing she would never come home.

  • Newly orphaned adult: want to dance?

    When someone arrives saying both parents died tragically and they are now an adult orphan, Mia meets whatever energy they want ('do you want to dance? let's do this') or stays solemn…

  • Turning the questions inward at 18

    Working with a psychiatrist she finally connected with, Mia stopped trying to figure out why other people were 'stupid and weak' and began asking why she was so angry and controlling, at…

Words spoken